Across diverse creative spaces, Vietnamese artist Nguyễn Văn Chung has continuously sought his own visual language, with woodcut printmaking emerging as a defining medium. Deeply rooted in the Central Highlands, his works reflect a profound attachment to the region’s land, people, and environment.
* Could you share how you first came to pursue a career in fine arts?
Artist Nguyễn Văn Chung. Photo: Provided by the artist
- My passion for painting began in childhood. A turning point came when my uncle, sculptor Nguyễn Văn Hàm, recognized my talent and encouraged me to study Art Education.
My early artistic foundation was shaped by my teacher, artist Nguyễn Văn Điền. I vividly remember being captivated by his gouache landscape sketches of the Central Highlands.
From those early experiences, the cultural identity, land, and people of the Bana and Jrai gradually became integral to my artistic thinking and later works.
* At what point did you enter the world of professional fine arts?
- I began engaging in professional art activities in 2007, participating in the Gia Lai Provincial Fine Arts Exhibition with two works: “Chiều Tây Nguyên” (oil on canvas) and “Chạy mưa” (gouache).
Since then, I have balanced teaching with artistic creation, taking part in numerous regional and national exhibitions.
"Lệ rừng" (Forest Tears, woodcut print) by artist Nguyễn Văn Chung (Exhibited at the 2024 ASEAN Graphic Art Exhibition, Encouragement Prize at the 2025 Literary and Artistic Awards of the Vietnam Association of Literature and Arts of Ethnic Minorities). Photo: N.Phong
* What motivates you to experiment with various materials instead of focusing on a single technique?
- During my studies, I mainly used watercolor, gouache, and oil paint. It was only after entering professional practice that I expanded into other materials.
Exposure to exhibitions, travel, and exchanges with fellow artists encouraged me to explore new forms of expression. For me, each idea requires its own visual language. Materials are not just tools but essential elements in conveying the spirit of a work.
* Which medium best defines your artistic identity?
- Woodcut printmaking. I am entirely self-taught in this medium, developing my approach through experimentation. I work with both carved woodblocks and printed woodcuts in color and black-and-white. The bold, rustic qualities of woodcut align naturally with themes of the Central Highlands, allowing me to express their essence more effectively. Some of my works, such as “Sức sống đại ngàn,” (Vitality of the Great Forest) “Khát…!,” (Thirst…!) and “Lệ rừng”, (Forest Tears) have received recognition at regional, national, and international exhibitions.
"Lời ru của rừng" (The Forest's Lullaby, mixed media) by artist Nguyễn Văn Chung (C Prize, 2024 Literary and Artistic Awards of the Vietnam Association of Literature and Arts of Ethnic Minorities). Photo: N.Phong
* How has living in the Central Highlands shaped your creative inspiration?
- Being born and raised here, the region’s identity, culture, and people are deeply embedded in me. The landscapes, architecture, and rich cultural heritage of ethnic groups such as the Jrai and Bana provide endless inspiration. This connection forms the core direction of my artistic career.
* You create many works about the forest. What draws you to this subject?
- I see the forest as a living entity, almost a central character that embodies human emotion. Rather than depicting it realistically, I try to capture its spirit. My field trips, including visits to grave house areas of the Jrai and Bana, revealed a deeply rooted “forest culture.” These experiences inspired works like “Lời ru của rừng.”
At the same time, the destruction of forests has left a strong impression on me. Images of barren hills and dead trees have driven me to create works such as “Khát…!,” “Lũ sắp về,” and “Lệ rừng,” as both warnings and calls for greater environmental responsibility.
* Looking back, what dreams do you still hold for your artistic journey?
- I continue to study and explore new themes, including the sea and islands, cultural heritage, Champa art, and traditional performing arts. I hope to organize solo exhibitions based on these themes, starting in my home province as a way of expressing gratitude, and eventually expanding to major cities such as Ho Chi Minh City and Da Nang.
SOME NOTABLE AWARDS OF ARTIST NGUYỄN VĂN CHUNG:
"Âm sắc đại ngàn (1)" (Tones of the Great Forest (1), woodcut print) by artist Nguyễn Văn Chung (C Prize, 2023 Region V Fine Arts Exhibition). Photo: N.Phong
- Young Author Award from the National Committee of the Vietnam Union of Literature and Arts Associations in 2010, 2011, and 2014.
- Two B Prizes at the 3rd (2010–2015) and 4th (2016–2021) Gia Lai Provincial Literary and Artistic Awards.
- B Prize at the 2017 Region V Fine Arts Exhibition; A Prize at the Region V Fine Arts Exhibitions in 2020 and 2021.
- Third Prize at the 2021 Vietnam Fine Arts Association Awards; C Prize at the Region V Fine Arts Exhibitions in 2022 and 2023; awards from the Vietnam Association of Literature and Arts of Ethnic Minorities in 2023, 2024, and 2025, among others.
A 40-member women’s gong team performed in Gia Lai province on October 20 at a special cultural event celebrating Vietnamese Women’s Day and honouring Bahnar women’s cultural identity.
Gia Lai will host a series of cultural festivals, sporting competitions and tourism events from October to December 2026, with a major gong festival, an international U23 football tournament and activities marking the conclusion of National Tourism Year - Gia Lai 2026 among the highlights.
Two couples in Gia Lai are helping preserve Jrai and Bahnar cultural traditions, sharing their skills in music, dance, weaving and basketry with their communities and showcasing them at festivals.
The 2026 Pleiku Mountain Town OCOP and Culinary Specialty Fair brought together local producers and buyers from October 16 to 18, combining a showcase of regional goods with traditional Jrai ceremonies, music and dance.
Gia Lai's Dam San Theater is staging eight cultural performances in border and neighboring communes from October 12 to 21, bringing traditional music, dance and the distinctive heritage of the Central Highlands closer to local communities.
Gia Lai Province has reviewed dossiers proposing national heritage status for the Trường Lũy Gia Lai rampart and national treasure recognition for two groups of Champa-era artifacts, as authorities move to strengthen the legal and scientific basis for their protection.
Kép village has been selected to represent Gia Lai province in Vietnam’s 2026 “Best Rural Tourism Destination” competition, as its Jrai community builds tourism around traditional crafts, food and village life.
Schools and youth organisations are expanding opportunities for young people to learn gong music and xoang dance, with regular practice sessions and new clubs helping pass ethnic traditions from one generation to the next.
Two contestants from Gia Lai, Lê Phương Nghi and Trịnh Ngọc Huyền, have secured places in the Miss Vietnam 2026 finals after being named among the top 25 at the national semi-final in Hai Phong on October 10.
Students at Le Loi High School in Gia Lai province have recreated the cultural spaces of Plei Ơp village using 360-degree virtual reality and artificial intelligence, developing a digital tour intended to make its heritage accessible by smartphone.
Women artisans in Bahnar and Jrai communities are preserving traditional music by making bamboo instruments and teaching young people to play gongs, taking on roles long associated with men.
Bahnar Kon K’Đĕh women in Vietnam’s Gia Lai province are finding new markets for their traditional brocade through tourism and adapting their products to customer demand while preserving weaving skills passed down through generations.
Pleiku Museum has agreed a partnership involving 30 schools and seven localities to give students regular opportunities to explore history and cultural heritage during the 2026-2027 academic year.
In the early days of autumn, as the intense Central Vietnamese heat begins to ease and rain becomes more frequent, An Nhơn takes on a gentler character. The Côn River winds through villages, carrying silt and memories of a land that was once an imperial capital.
Two stone lion statues from Mẫm Tower and a collection of Naga serpent reliefs from Dương Long Tower are being documented for nomination as national treasures, as researchers assess their significance to Champa art and culture during the Vijaya period.
Nearly 100 sixth-grade students in Pleiku Ward, Gia Lai Province, took part in a Mid-Autumn Festival program on September 22 combining books, traditional games and activities designed to promote reading.
Gia Lai province will promote the Vietnamese language and the cultural heritage associated with its development, including the destination described as the “birthplace of the romanized Vietnamese script”, under a new program targeting overseas Vietnamese communities from 2026 to 2030.
Gia Lai Province will hold its first province-wide singing contest in October, seeking to discover promising vocal talent and promote cultural and artistic activities across the province.
Traditional theater in Gia Lai is turning to history not simply to recount heroic figures and events, but to connect a younger generation with the past through the distinctive language of hát bội and bài chòi opera.
Lê Kiều Oanh was crowned Miss Vietnam Entrepreneur Talent and Beauty 2026 on September 10, as the seventh edition of the pageant concluded at the Gia Lai Provincial Convention Center.
Vinh An Village in Bình Phú Commune, Gia Lai Province, will host the “Weekend Gong Night - Enjoy and experience” program on September 11, offering locals and visitors an opportunity to experience the cultural heritage of the Bahnar people.
An exhibition in Quy Nhon has brought together cultural traditions, heritage and tourism products from 16 provinces and cities, offering visitors a glimpse into Vietnam’s diverse cultural identity.
An art program in Gia Lai on September 7 brought together traditional performances representing different regions of Vietnam, highlighting the country’s cultural diversity and promoting the image of its people and tourism.