Across diverse creative spaces, Vietnamese artist Nguyễn Văn Chung has continuously sought his own visual language, with woodcut printmaking emerging as a defining medium. Deeply rooted in the Central Highlands, his works reflect a profound attachment to the region’s land, people, and environment.
* Could you share how you first came to pursue a career in fine arts?
Artist Nguyễn Văn Chung. Photo: Provided by the artist
- My passion for painting began in childhood. A turning point came when my uncle, sculptor Nguyễn Văn Hàm, recognized my talent and encouraged me to study Art Education.
My early artistic foundation was shaped by my teacher, artist Nguyễn Văn Điền. I vividly remember being captivated by his gouache landscape sketches of the Central Highlands.
From those early experiences, the cultural identity, land, and people of the Bana and Jrai gradually became integral to my artistic thinking and later works.
* At what point did you enter the world of professional fine arts?
- I began engaging in professional art activities in 2007, participating in the Gia Lai Provincial Fine Arts Exhibition with two works: “Chiều Tây Nguyên” (oil on canvas) and “Chạy mưa” (gouache).
Since then, I have balanced teaching with artistic creation, taking part in numerous regional and national exhibitions.
"Lệ rừng" (Forest Tears, woodcut print) by artist Nguyễn Văn Chung (Exhibited at the 2024 ASEAN Graphic Art Exhibition, Encouragement Prize at the 2025 Literary and Artistic Awards of the Vietnam Association of Literature and Arts of Ethnic Minorities). Photo: N.Phong
* What motivates you to experiment with various materials instead of focusing on a single technique?
- During my studies, I mainly used watercolor, gouache, and oil paint. It was only after entering professional practice that I expanded into other materials.
Exposure to exhibitions, travel, and exchanges with fellow artists encouraged me to explore new forms of expression. For me, each idea requires its own visual language. Materials are not just tools but essential elements in conveying the spirit of a work.
* Which medium best defines your artistic identity?
- Woodcut printmaking. I am entirely self-taught in this medium, developing my approach through experimentation. I work with both carved woodblocks and printed woodcuts in color and black-and-white. The bold, rustic qualities of woodcut align naturally with themes of the Central Highlands, allowing me to express their essence more effectively. Some of my works, such as “Sức sống đại ngàn,” (Vitality of the Great Forest) “Khát…!,” (Thirst…!) and “Lệ rừng”, (Forest Tears) have received recognition at regional, national, and international exhibitions.
"Lời ru của rừng" (The Forest's Lullaby, mixed media) by artist Nguyễn Văn Chung (C Prize, 2024 Literary and Artistic Awards of the Vietnam Association of Literature and Arts of Ethnic Minorities). Photo: N.Phong
* How has living in the Central Highlands shaped your creative inspiration?
- Being born and raised here, the region’s identity, culture, and people are deeply embedded in me. The landscapes, architecture, and rich cultural heritage of ethnic groups such as the Jrai and Bana provide endless inspiration. This connection forms the core direction of my artistic career.
* You create many works about the forest. What draws you to this subject?
- I see the forest as a living entity, almost a central character that embodies human emotion. Rather than depicting it realistically, I try to capture its spirit. My field trips, including visits to grave house areas of the Jrai and Bana, revealed a deeply rooted “forest culture.” These experiences inspired works like “Lời ru của rừng.”
At the same time, the destruction of forests has left a strong impression on me. Images of barren hills and dead trees have driven me to create works such as “Khát…!,” “Lũ sắp về,” and “Lệ rừng,” as both warnings and calls for greater environmental responsibility.
* Looking back, what dreams do you still hold for your artistic journey?
- I continue to study and explore new themes, including the sea and islands, cultural heritage, Champa art, and traditional performing arts. I hope to organize solo exhibitions based on these themes, starting in my home province as a way of expressing gratitude, and eventually expanding to major cities such as Ho Chi Minh City and Da Nang.
SOME NOTABLE AWARDS OF ARTIST NGUYỄN VĂN CHUNG:
"Âm sắc đại ngàn (1)" (Tones of the Great Forest (1), woodcut print) by artist Nguyễn Văn Chung (C Prize, 2023 Region V Fine Arts Exhibition). Photo: N.Phong
- Young Author Award from the National Committee of the Vietnam Union of Literature and Arts Associations in 2010, 2011, and 2014.
- Two B Prizes at the 3rd (2010–2015) and 4th (2016–2021) Gia Lai Provincial Literary and Artistic Awards.
- B Prize at the 2017 Region V Fine Arts Exhibition; A Prize at the Region V Fine Arts Exhibitions in 2020 and 2021.
- Third Prize at the 2021 Vietnam Fine Arts Association Awards; C Prize at the Region V Fine Arts Exhibitions in 2022 and 2023; awards from the Vietnam Association of Literature and Arts of Ethnic Minorities in 2023, 2024, and 2025, among others.
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In early July 2026, the Vietnam Rice Industry Association (VIETRISA) presented awards in Ho Chi Minh City for the “Vietnamese rice - Origins and future” creative writing contest.
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Summer activities organised by Youth Union and Young Pioneer organisations across Gia Lai province are combining recreation with practical education, offering children opportunities to develop life skills, learn about the law and explore traditional culture through a range of interactive programmes.
Public art troupes from Gia Lai won two gold medals, six silver medals and two certificates of merit at the 2026 National Three-Region Folk Singing and Instrumental Performance Festival, which concluded in Hue City on Tuesday.
Hidden beneath the dense forest canopy of the Bích Kê mountain range, the Phú Hà ancient stone rampart is emerging as an important archaeological site that researchers believe dates to the early 19th century and once served as a storage and collection point for agricultural goods.
Students in Gia Lai province are using digital technology, QR codes, audiobooks and online libraries to promote reading and expand access to books, as the 2026 Provincial Reading Culture Ambassador Contest encourages contestants to combine traditional reading with digital innovation.
A Vietnamese artisan has spent nearly two years creating a light sculpture of the late General Secretary Nguyễn Phú Trọng, transforming a simple piece of pine burl into a tribute reflecting his admiration and gratitude for the late leader.
Gia Lai will celebrate the 25th anniversary of Vietnamese Family Day with a special "Weekend Gong Performance - Enjoy and Experience" program at Dai Doan Ket Square in Pleiku Ward on June 27, highlighting the role of families in preserving the cultural heritage of the Jrai ethnic community.
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The Gia Lai Provincial People's Committee has approved a proposal to stage a high-altitude fireworks display as part of the "Eo Gió - Dance of the blue sea" art program, scheduled for the evening of July 11 at the Eo Gió Ecotourism Area in East Quy Nhơn Ward.
Seven artists from different regions of Vietnam and Thailand will present 70 paintings at the “Private Skies” exhibition, scheduled to take place from July 4 to 10 at Gallery 3B in Cau Kieu Ward, Ho Chi Minh City.
Rare imperial decrees from the Nguyễn Dynasty have been carefully preserved by residents of Nhơn Châu island commune in Gia Lai province for nearly a century, serving as enduring symbols of the island’s maritime traditions and cultural identity.
Authorities and cultural experts in Vietnam’s Gia Lai province convened a scientific seminar on Wednesday to finalize dossiers seeking provincial heritage recognition for two sites: the residence and grave of patriot Nguyen Huu Hao and the H’Bâu Ancient Church.
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The Binh Dinh Bai Choi Opera Troupe, under the Gia Lai Provincial Traditional Arts Theater, staged the final dress rehearsal of the Bai Choi opera “Princess Huyen Tran” on Monday after completing 60 intensive training and production sessions, ahead of its planned public tour.
Children’s literature in Gia Lai is experiencing steady growth, marked by a growing community of writers, continuity across generations, diverse themes and the emergence of promising young authors.
Fishermen in Trung Luong fishing village in Gia Lai will hold the 2026 Whale Worship Festival from May 27 to 31, featuring traditional spiritual rituals, folk performances and cultural activities celebrating Vietnam’s coastal heritage.
Fishermen in Vĩnh Lợi coastal village in Gia Lai province on May 26 held the 2026 Whale Worship Festival at the Nam Hải Whale Shrine in Vĩnh Lợi lagoon, a major cultural and spiritual event for local fishing communities.
An Giang provincial museum and the Pleiku museum of Gia Lai on May 27 opened a joint exhibition titled “The Colors of Gia Lai and An Giang Cultures” at the An Giang Provincial Museum’s Facility 1 in Rach Gia Ward, An Giang Province.
The Gia Lai Provincial Association of Literature and Arts, in collaboration with the Ho Chi Minh City Fine Arts Association, opened the “Giao Hoa 2” Fine Arts Exhibition 2026 on May 26 at the grounds of the Gia Lai Provincial Convention Center in Quy Nhon Ward, Gia Lai Province.
In the quiet village of Mrông Yố in Gia Lai province, artisan Rơ Châm Guk has dedicated decades to preserving and passing on the ancient gong culture of the Jrai people, earning recognition as one of the Central Highlands’ most respected cultural guardians.